Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Wednesday, February 29, 2012

Facebooked







































It's day two of my Facebook withdrawal and my typing fingers are itching. Never mind.

As I was saying to my friend BC last night, the initial attraction of Facebook was that within 48 hours of joining I was reconnected with friends from my high school years that I hadn't heard from in three decades -- and some of them became pretty close and good contacts. But in latter days, the temptation to hop on Facebook and just type whatever moody soundbite came to mind was rather too strong, and with a growing catalogue of "friends" (some of whom share my employer), that temptation was getting rather more dangerous than I realized.

I've known BC for better than thirty years now, and have regularly corresponded with him for most of that time, and as he rightfully pointed out last night, he's heard much worse and darker thoughts from me than anything I ever typed on Facebook -- and yet I haven't done myself any physical harm to date. But one do-gooder "Facebook friend" who probably doesn't know me all that well and didn't realize that I just needed to vent some steam took it upon themselves to call the police in on me -- and not just that. They sent my comments -- my PERSONAL comments on my PERSONAL page -- to someone in authority here at the college, someone who also over-reacted -- and as a result I've been ordered back into mandatory counseling.

How Big Brother is that?

Y'know, I've been thinking about going back into counseling for some time now, so if I can get it paid for by the college I guess I won't complain about that. But, really -- what a nerve! Which one of my so-called Facebook friends had the cojones to violate our minimal relationship and intervene so deeply into my personal life?

I want to say to them, "If you can't stand the Angst, don't read my posts!"

If you've known me for any length of time at all, then you know that Angst is pretty much What I Do. If I couldn't type about my feelings then I would have no outlet at all for them -- and then I would really be in trouble. Typing about shit is my way of channeling and coping with shit. It's the reason why I started this blog, which was never intended to be anything else than a kind of Daily Therapy.

Over time, the blog and Facebook kind of began to meld, and that was my mistake. I typed things on Facebook that should have been reserved for this much more private forum. But that doesn't excuse someone from meddling in my private life and actually creating more problems for me when I have plenty enough of them already, thank you.

This is one of the reasons I have to kill my Facebook account. I don't even know who it was that knifed me in the back, so I can't even "unfriend" them and get them the hell out of my life. As I should have known, there are lurkers on Facebook, stalkers on Facebook, and people who will do Evil to you if you give them the opportunity.

-- Freder.


Tuesday, February 28, 2012

Purged

















Just so you know, if anyone cares, I am not on Facebook anymore. It was no longer a healthy place for me to be, and last night it got too personal.

It's my own fault, like everything else. Last night I was so depressed and down on myself and venting about it publicly on Facebook was probably not the best way to treat it. Still, I really didn't need someone to call the cops on me.

I was up until three AM fielding questions from two W________ police officers and a mental health services worker. THREE AM! Today I am emotionally and physically exhausted, unable even to think straight on the job. And they're going to call me again tonight. Because it's a "Police Matter" now.

I know that whoever called them in meant well, but they did not do me a service. It was a hard, emotional night that just got worse and worse. They threatened to take me away to a hospital or a shelter. Who would take care of my cats if that happened? Who would even know?

So -- no more Facebook. It's too easy for me to make a public fool out of myself, and it's obviously too easy for others to intervene when no intervention is needed or wanted.

-- Freder.

Saturday, August 20, 2011

Baby Steps





































I knew that this blog was coming up on a milestone, but as it turns out, we've just passed it. On August 13, the blog turned one year old.

In that amount of time, I've made just over 300 posts. Some of them were about as inconsequential as it gets; others were plain frivolous. Still and all, I think the blog has been just about the best thing I did for myself all year. Sometimes I think it's the only way I could have gotten through that year! It's been the only voice I had through some, shall we say, interesting times.

With any luck, the worst of it is behind me. Whatever's ahead, good or bad, you can bet I'll continue to vent about it here.

Many thanks to the kind indulgence of those who have spent some of their valuable time here. In the year since I started doing this, the blog received over 10,000 pageviews (one post, "The Peter Pan Syndrome," has had well over 800 hits all by itself). In the world of the blogosphere, where success is measured in the millions of hits per day, that's inconsequential. But given the nature of most of what I yammer on about, and given that I started the thing strictly as a means of coping, of self-therapy, that's not just Pretty Damn Good, it's amazing! I still can't imagine why anyone would want to read this crap, but I'm glad that there are people who do, and I appreciate the feedback more than you can possibly know.

It's nice to know that you're out there.

-- Freder.

Sunday, July 10, 2011

The Way Some People Die




















. . . is the title of a book by Ross MacDonald. I'm reading a collection of short autobiographical pieces by MacDonald (real name Kenneth Millar). Millar describes emotional and practical difficulties at various stages of his life, "seismic upheavals" such that I think anyone could appreciate or identify with. The real difference is that Millar never seems to have suffered from a creative block.

He could always write it out within his fiction. That's what I had learned to do as well. But it's not there anymore.

These days off, or at least the unoccupied hours, are deadly to me. Not being able to write is like not having a mouth. Beating myself up over it doesn't help at all.

If I were to hire MacDonald's detective, Lew Archer, to help me solve the case, he would find several causes (as I have done), but perhaps he could find solutions that are evading me.

First, and possibly foremost, I used to drink while I wrote. Not "get drunk," mind you -- if that happened, the work came to a screeching halt. But a drink or two or three, taken over a few hours, would lubricate the gears, get them turning again, unlock my imagination and free my hands from restraints.

I don't have that tool anymore. My gears are frozen and rusted badly in place, and my imagination seems to be bolted shut, barring only the random images of horror that sometimes burst out when I'm trying to lie at rest.

The other thing I've come up with is the feeling that, with all my grandparents gone and now my mother gone, too, there's nobody left that I need to prove myself to. My friend BC would likely say to this, "Prove it to yourself!"

Myself. That's the person I least care for. The only person I hate more is my sister, who helped make me this way.

I honestly believed that a few days off, some down time to gather myself, would be all that I needed to get going again. Instead, it's having the opposite effect. It's almost as if the outrageous craziness of the last nine months kept me from experiencing a level of the grief and despair (which hardly seems possible), and now that things have calmed down a lot, the silence and the vacancy has allowed a fresh tsunami of emotion to hit me. Not being able to work at any creative pursuit (not even my scrapbook of the old house, which is filled with associations that I can't bear to reflect upon anymore) -- and beating myself up about it -- is having real emotional consequences for me. It means that I have no outlet.

Blogging about it all seems to be the only thing I can manage. But it makes me feel that I should change the title of this blog to "The Broken Record."

*

I came to the Millar book yesterday when Annie Proulx's Bird Cloud fell through for me. Proulx is an alum of the college that employs me, making Bird Cloud the no-brainer choice for Book of the Month when it comes out in paperback this October. So, I thought for once it would be nice to have actually read the book of the month.


The book is a memoir of Proulx's experiences building her Dream House in what used to be a protected reserve, which is now privately owned by her. Right away it got off to a rocky start for me with a long stretch of present-tense writing. As a young man, the present tense never bothered me much, and I even used it myself on occasion when immediacy seemed an important element of my story. But now that I'm a crotchety Olde Farte, present tense just really deeply annoys me, especially when the writer seems to be using it for no good reason. That was the case here.


Then Proulx launches into a far-ranging history of her family, and although there were small points of interest I largely didn't give a damn. Something is wrong in the "Reading and Dozing" process when the dozing starts to take up much more time than the reading. Proulx was still in the middle of this preliminary ancestral ramble when the chapter abruptly ended. I realized that I'd plowed through the whole first chapter, and Proulx had yet to begin the story that I showed up to read.


Fortunately, it was an advance reader's copy (the home shelves of most booksellers are full of these, I imagine), so I had no money in it and could take it back to the store. It went straight into my bag. Life is too short for books that can't come to the point.


*


On Friday afternoon I drove all the way out to South China in my Highly Illegal car. My lawyer had said that she wanted to see me. I was then as I am today keeping the fact of being emotionally overwrought just under the surface. It turned out that she wanted to make a distribution from my mother's estate.

As a result of this meeting, my father and his wife are now completely paid off in what they loaned me to buy this house, and this house is now 1/3rd mine, free and clear. I was given an additional amount. I won't type the number, but it's enough for me to pay off all my credit card debt and buy a car outright, without having to go into additional debt. This amount still leaves a considerably larger amount left in the estate, that will come to me later.

So -- things should be looking up, right? I should be feeling better about life.

I am not. It's actually deeply upsetting to me. Tears are running down my face as I type this. I cannot escape the fact that in order for all of this good to come about, Mom had to die. I'd give it all back, and more, to have never had that happen.

-- Freder.

Saturday, July 2, 2011

Statement of Principles






































The thing that sometimes troubles me about sometimes typing some of the things that I sometimes type on this blog, is that I sometimes worry that some people will think: "So what makes your feelings so special?! So what's so unusual about you?!"

Because that's not why I type it. I type it because I think a lot of people must feel this way, because I can't possibly be alone, and maybe by typing it I can do some good for myself, and maybe sometimes someone else will see it and think, "That's just how I feel."

So -- if I have a mission for this blog, it's to reassure me that I am not alone, and to reassure others that they are not alone.

I've just been watching a heckova lot of British television tonight, and so the Asperger's part of me that wants to mimic everything I see wants to refer to my father as "me da'".

Anyway.

Me da' wrote back to me tonight, based on two previous posts: "I worry that you are still so far from healed"


Yah, so do I. But that just puts me in the same boat as millions of other people. 


I've heard it said, here or there, "We're put here to suffer." 


There's a lot to think about in those five words, especially when, dating back to Biblical times, there's always a class of people who emphatically are Not Suffering while the rest of us writhe.


Answers? I don't have any.


Apropos to nothing, last night I spent nearly $90 on 100 daffodil bulbs. I will make good use of them. In the garden? No! They will go all over my lawn. I will have daffodils next spring. Can't afford it, but, damn it, it's a Quality of Life issue.


Tamam Shud!


-- Freder.

Wednesday, June 29, 2011

The Internet May Indeed Be a Playground. . .


















. . . but David Thorne's book with that approximate title is more like the paperback equivalent of trowelware. This is why the world needs editors, and why the world is a little bit worse off without them.

I'm one of those people who found Thorne's website (which I will not name or link to here, because I'm afraid that Mr. Thorne would follow the link back with dire consequences to myself) really hysterically, laugh-out-loud funny. But the book, which contains a complete archive of the site plus, seemingly, everything else Mr. Thorne has ever written, is a classic case of not knowing when to stop.

I can hear the publisher thinking "We have to give them a reason to buy the book. We have to give them lots and lots of stuff that they can't get for free right on Thorne's website. Let's jam-pack the thing with everything David has ever written, even if it's just a laundry list!"

This is like a dump truck being emptied onto your front lawn.

To be fair, I was ill yesterday and I turned to the book for cheer. Instead, I grew increasingly depressed as I realized that this was the same thing over and over and over again, and that I could predict pretty much exactly how each piece would go. "He's going to go into a deliberately ridiculous digression with a story from his youth now," and yep, there it was, right on cue. I began skipping over whole sections, in search of the good stuff, and finally I just had to stop about a third of the way short of finishing the thing. I'd had more than enough.

Thank goodness I didn't pay money for my copy -- it was an Advance Reader's Edition that I got through the bookstore. In the end, I didn't even want the thing in my house. I brought it back this morning and put it on the shelf with the other Advance copies. Let someone else enjoy it, if they can.

By all means go to Mr. Thorne's website and enjoy the mischief there. The internet is the perfect vehicle for him. If the book brings him some income, then good on him. But I can't recommend it to anyone who isn't, almost literally, a glutton for punishment.

-- Freder.

Tuesday, May 3, 2011

Were You Dancing on Paper






























For the past few days I have been sad, anxious, depressed. The routine at work has helped, but in the evenings I hardly know what to do with myself. A part of me is glad that I'm not still at the old house now that this horrible year is coming to an end. I had to look through a lot of pictures of the old house in order to find the right one for yesterday's post, and it was distressing to go there.

The new house is such an odd mix of old and new, combining many features that I've seen in other houses and other places that I've lived in, while still evoking my mother's house. It had to feel like home, after all. Sometimes I wonder what I'm doing here.

Reading the Guide to Asperger's, I see my life mapped out, and wonder if I wouldn't be better served by a book that told me how normal people think. I mean, I've been like this all my life, I was Normal for me, even though I couldn't understand most anyone else. If I could have a Travel Guide to the world they inhabit, with some good maps, maybe an itinerary of a couple of daywalks, some pictures of the key attractions so that I would recognize where I was when I got there -- that might be a good thing!

In the early days back at the old house, I would spend whole afternoons listening to records. I'd put one on and stalk and pace all along the upstairs landing, oftentimes singing, learning the song by rote even to the intonations of the singers, sometimes playing the same song over and over until someone came along and told me to knock it off.

I was never a good singer, but I was pretty good at imitating real singers and performers.

The music created pictures inside my head -- and I built the pictures into elaborate stories that were shaped by the themes I was listening to. I thought some of them were pretty good. Sometimes I wrote some of them down.


Some of them were good enough, I thought, to entertain the possibility of turning them into screenplays. I always wanted to make movies. (I'm so mad that I'm not in New Zealand right now!) Until just recently, there were two stories that I reserved to some day commit to paper.

But with one thing and another, I have a better understanding of myself now. Suddenly, I know what those stories were saying to me, and why I told them to myself, over and over.

It was nothing more than wishing to be normal, wishing for someone who could be my guide in the world that everyone else inhabited.

I'll never write those stories. My inner world was like a stage set: colorful and romantic, but also flat and hollow.

It's the reason why I didn't so much read books as inhabit them. Intellectual tricks (such as the Unreliable Narrator) were lost on me: the purpose of reading was to pour the void inside of me into a character that would take me into a world that was more real to me than the one I actually lived in.

Until now, my whole life has been a game of Let's Pretend. People sensed it about me. On the playgrounds they called me terrible things. Things that I knew I wasn't. Now I know why.

Caring for Mom gave my life a purpose and a focus for the whole last decade; I sometimes hated it, but it was a reason to persevere. Now all that's changed.

My friend BC read some of my posts on belief and religion, and "said" to me, "Believe in yourself!"

It was awfully nice of him, but that's the one thing I can't believe in. Turn me sideways and I disappear.

Saturday, April 30, 2011

My Hands


















... look like the hands of an octogenarian.

Like the hands of someone who has been around the block many more times than I wish I have actually been.

Like the hands of someone very much older than the rest of me looks, at least I think, maybe, thank goodness.

... look like my paternal grandfather's hands, and heaven knows he did more honest work with his than I ever did with mine.

... look a good deal older than I feel.

Except sometimes, when I look at my hands, and think of everything that's happened,

And everything that's changed

And everything that's gone.

Walpurgis night is about the seasons, and the seasons are about things falling away --

In my own hands, finger hugs finger trying to hang on to what the seasons take away.

Yellow nails.

Painfully dry cracks ready to spurt blood onto the checks that I write.

"I'll write you another," I said

...

Until I realized that I had run out of checks.

Friday, April 22, 2011

Fuck all





















Spent my whole damn life pretending to be normal. Got so that I was pretty good at it, when in public. Never understanding why it didn't seem so hard for everyone else. Never understanding how everyone else could be so easy and relaxed when I was tearing myself apart inside. Pretending to be social when all I ever wanted was to find a hole and crawl into it. Never knowing the reason why I preferred the company of animals to that of people.


All a joke, all a fake, all for Show, a Command Performance, see the Amazing Retard Pretend to be a Real Boy. No matter what I told myself or how hard I tried, I was never going to be normal and I never had a chance. No wonder I could never sustain a relationship with a woman. I could never figure out what it was about me that frustrated them so much. I tried so hard, but trying had its limits.

Whenever I had to make a cold phone call to anyone, for whatever reason, I always had to have a written script in front of me, and even then I was so panicked that I could hardly bring myself to dial. Start to dial, hang up. Start to dial, hang up. Calling to ask women out was pure torture, and I guess they sensed it, they always said no.

Always doing things because that was how normal people did it, that was how it was done, I forced myself even though I was screaming inside.

I learned that I could be the life of the party if I recited from Bill Cosby's comedy albums, which of course I knew by heart, or from Monty Python (ditto). I learned that I could make a hit in a play if I faithfully imitated the actor from the original Broadway cast album.

Even when it came to writing, I learned by aping the style of other writers. I have no style of my own. It's all written to sound like what I've read elsewhere.

My whole life has been a bad joke, a game of "Let's Pretend," a game of "Follow the Leader." No wonder I never left home, until I was forced out. I really am all those things the other kids called me on the playground. And now I'm angry that I've spent my life trying to please them, without hope of success.

Friday, March 25, 2011

Everyone's a Critic





















It's an old expression, but it's more meaningful today than ever. Back in the day, when Vincent Canby and Pauline Kael and James Agee and others were plying the trade, criticism was an art.

Today, any idiot with a keyboard and a blog (including myself) can and does put more than their two cents worth before the panting public. Sometimes, their thoughts are considered, informed, and well-written. Most often it's the opposite. Still, no one's holding a gun to our collective heads and forcing us to read blogs, right? So where's the damage? Sometimes we just like to hear as many different opinions as we can.

But it has damaged the formal culture in the sense that professional critics are less influential than ever before, in the sense that many newspapers and magazines aren't even employing critics any more, and in the sense that the standards of mainstream media criticism have, in some areas, dropped off markedly. Janet Maslin is still writing about books, thank goodness, but where are the Vincent Canbys and Pauline Kaels of today? (And don't even mention David Denby of The New Yorker -- The man is an moron.)

I read a lot less criticism than I used to. In part it's because there's so much of it out there, cancelling itself out, but it's also because most mainstream critics are nothing more than logrollers, crying out "The Best Movie of the Year!" at every opportunity. "Brilliant! Breathtaking! Stunning!" -- oh, now there's a good one. I see "stunning" all the time, and I have to believe that some people must be easily stunned. I don't recall ever being "stunned" by a book, even the ones I love, except maybe when a heavy one falls off of a tall shelf onto my head. I don't always agree with Roger Ebert, but I can usually count on his opinion to be well-informed and well-written. That's more than you can say for most.

When I hopped online and read some of the commentary about Heathers, a picture I wrote about on this blog last week, I had to wonder if some of these people had seen the same movie that I did. They could not even describe it accurately. It is not a movie about teenage suicide, as I read over and over again in one misinformed article after another. It's a movie about bullying. That many can't seem to grasp the basic concept makes me mistrust their judgement in a big way.

Years ago I read a review of The Exorcist that claimed there was a shot in the movie showing Jason Miller's head hitting every step on the way down when he's thrown from the house. I watched for the shot. It isn't in the picture. I could probably name numerous examples, if I wanted to do the research, of critics describing things that don't exist in the films that they write about, things that came out of their own heads..

One good example comes to mind: William K. Everson is one of the best, a man whose work I respect as being carefully thought out and backed up by solid experience and knowledge. But he was writing before the era of VHS and DVD and video on demand, and his otherwise wonderful book The Films of Laurel and Hardy (a must-have item for anyone who treasures that team as I do) does contain errors. He probably hadn't had a chance to review some of these pictures in years and years, with the result that I can go through his book and point out at least five instances in which he misremembers details, attributes individual scenes to the wrong movie, or describes scenes that flat-out never existed.

The thing that got me started on this today was a book review from Time magazine, one that the publisher thought good enough to use as an endorsement on the paperback edition of the book itself: "Then We Came to the End is that rare novel that feels absolutely contemporary, and that rare comedy that feels blisteringly urgent."

There's some danged stinky writing going on in that sentence, and it scores high on the BS-ometer at the same time. Is the word absolutely absolutely necessary? Did the writer feel a need to distinguish between this and, say, a novel that feels only slightly contemporary? And rare? Actually there's a boatload of "absolutely contemporary" novels out there. I can smell them a mile off. I've also seen plenty of urgent comedy in my day. But "blisteringly" urgent? That's a new one. I think I'll stay away. I don't want to have to bandage my fingers after reading a couple of pages.

Nice going, Time!

-- Well, Doug, what did you think of this post?

"An astonishing depiction of teenage suicide!"

"Two thumbs up!" (I won't say what portion of the anatomy.)

"Un-putdownable!" (No, really, I spilled a bottle of crazy glue and now I can't put the book down!)

"Breathtaking!" (No, really, I'm hyperventilating right now!)

In this atmosphere, I'm kind of surprised that no one has ever typed: "I had seven orgasms while reading this book, and I wasn't even touching myself!"

Onward.

-- Freder.

Friday, January 28, 2011

The Importance of Milestones





















The walk to work is not bad, when the weather is good. On the other hand, the walk home from the supermarket (which is actually shorter) is not good at all.

It's not just that coming home from the supermarket I generally have a heavy load to carry. It's that C____ Street is a long straight street with no landmarks or milestones, just one anonymous side lane after another. It's possible to get a third of the way along and  feel as if you haven't made any progress at all. Only at the very end do the landmarks pop up: The Water District, the Nursing Home where my mother stayed for four months following her amputation, the church; but all of these are right next to each other. Once the stoplight starts to come within range, you can measure your progress and I know that I'm getting close to home. But that doesn't happen until the walk is nearly over.

By contrast, the walk to the college is filled with landmarks, milestones, stages. W_____ Avenue starts with two gentle curves; S & C's house is at the apex of the first. Beyond the second, a stoplight comes into view at the intersection of W_____ Avenue and First Rangeway, which I cross, and start up to the top of a small hill that marks the halfway point of my journey. The avenue is quite narrow at this point, but just beyond the hilltop it takes a sharp right turn into what I think of as a funnel and then suddenly opens up for two-lane traffic. A short walk down to M______ H_____ Drive, then I turn left and start up the broad curving slope that ultimately takes me to the campus.

Humans need to know that they are making progress when they take on a task. That's what milestones are for. Without them, it's a long slog in darkness.

-- Freder.

Tuesday, November 9, 2010

The Whitestockings Case, Readying for Winter, and More Navel-Gazing
























Tiger Whitestockings has decided that there are some virtues and benefits to being an inside cat, especially this time of year. I had to hunt for the longest time, but I finally found her in what my mother used to call the Horse Room: the pickers had piled up a whole bunch of rugs, throws and quilts on top of the sofa, and there she was, snoozing happily, just like the Princess and the Pea.

She’s made a couple of “mistakes,” but that’s not too bad for the amount of time she’s been in the house. I keep showing her the cat trays and hoping that she’s catching on.

The larger problem is that she isn’t even trying to interact with the other cats, has sequestered herself in one end of the house, and won’t even walk through the living room / dining room to get to the kitchen where the food is. For two days, I carried her out there, but that’s got to stop. This morning I tried to force her to walk in there. I know better than this: you don’t force a cat to do anything.

I wish I wasn’t trying this as winter sets in. If she ultimately fails the test, how can I put her out into the cold?

In the meantime, there have been lots of things to do and think about.

I put the yard to bed for the winter: moved aside the big white rocks, carried all the lawn ornaments into the barn, covered the basement doors with a tarp and some bricks, put on one storm door and all the storm windows. This has always a sad time, and this year I can't help but realize that this was the last time I’d ever do this at this house.

It was also another big weekend for laundry, and just eyeing the things in the house, mulling over a moving plan.

I’ve never done this before, can you tell? Any advice appreciated!

I wanted to do some real writing, too -- but, again, that didn’t happen. On at least one level, this blog is not working out the way I had hoped. The habit of writing is coming back, and that is all well and good, but I still feel unable to take on any more significant project.

Not to get all high-flown, but your spirit has to be at ease in order to write anything worthwhile. Mine is not.

I used to be able to simulate a state of ease with alcohol. I wrote very well under the influence of one or two drinks; more than that, not so well.

I have to re-learn how to write sober. It’s not going to be easy. Even with the Prozac, I am never exactly at ease. Ideas need to flow from a place far down in the subconscious swamplands, and the way is barred. I don’t remember my dreams anymore.

It’s probably too much to ask, to just get right back into the swing of things, when I’m in such a complicated transition, literally ending one life and beginning another.

But if I’m ever to know what that new life is going to contain, I’ve got to get busy and discover what it’s going to be made out of.

Monday, September 20, 2010

Be careful what you write. . .






















This is a piece of fiction I wrote more than a decade ago. It has no title.

--------------


“Clear it out,” she said to herself. “All of it. Everything.”

It was a new year and soon it would be a new life in a new place: there would be no call for the past. The past only choked life out of the living.

It was the future that mattered.

And so to prepare for her move into the future she set about jettisoning anything that extended too far back into her mind. She threw out all her check stubs and financial records that were more than a year old -- “Trouble if I’m audited,” she thought. “But I’ll risk it.”

She threw out books that her ex-boyfriend had given her: The Enchanted April, Mulliner Nights, Persephone’s Torch, Black Money, The Eyewitness Guide to London. She tore her Flower Power poster off the wall and threw it away. She threw away a cactus plant that her mother had given her: she’d never liked it, anyway.

She had six months worth of Architectural Digest magazines piled on a stand at the end of the sofa. Not that she had ever dreamed of living that way: but looking at the magazines had once rested her eyes and relaxed her mind, providing her with perfect rooms and hallways that no one else could inhabit. Now she believed that that kind of escape was as foolish as worrying about the past. She tied the magazines neatly with twine and dumped them into the recycling bin. There would be no place for escape in her future life.

Among the chotchkas piled on top of the television set was a porcelain gnome no more than two inches high. It had been willed to her by her grandfather, and she never had understood that. She hated gnomes, and her grandfather had died a drunk. She threw it away.

She opened her closet door and was astonished by the memories she would have to be rid of: dresses she had worn so seldom that she could still recall the occasion, suits with interesting stains pointing back to moments of embarrassment or passion, or both. She folded them away neatly into boxes for the Salvation Army, thinking “Sippy’s party. The Museum of Time, where I met Frederick. The interview for the job at Global. Twenty-seventh birthday.

Oh my god. Trip to Mexico with Mom & Dad. Ugh, was my taste in clothes that bad? The night Carl proposed. Wuf, slinky! What a color! I’ll miss this, but... out it must go!”

Of the two rows of shoes extending from wall to wall there was only one pair (made from canvas and molded rubber) that was still comfortable to both her feet and her memory. The rest were boxed or bagged and carried down to the battered pick-up in the yard (“Have to get rid of that, too,” she thought).

In her dresser drawer she found black underwear that she didn’t want to think about, and a wad of love letters from Paul. They were good love letters, not too sickeningly smarmy, full of marginal illustrations and wishes. She looked at them briefly, and knew that looking was a mistake. She crumpled them up as best she could, carried them to the bathroom sink and burned them. 

The worst was still to come. There was a store room off the kitchen, and of course the attic. She could have left the contents of these for the future occupants of the house, whoever they might be, but that would have been doing the thing halfway: the boxes with their objects and subjects would have haunted her if they remained behind, intact, waiting for her possible failure, her potential return. It all had to go.

The first thing she found was a carton of her brother’s old comic books. Her brother was dead. Of what use were these? She found a broken lamp and a clothes bag full of dresses belonging to her mother. Forties stuff: eye-burning reds and sweeping collars. Stylish in its time,  but now? Who would ever wear them again? Not her -- and they no longer fit anyone she knew. Get rid of them.

In the attic there were trolls and coloring books starring Ricochet Rabbit and King Linus the Lion-Hearted. There was a hot potato game called Time Bomb and a Shari Lewis Draw & Play set. There were her Barbies and Kens and the corvette and the wardrobe full of tiny clothes. She thought oh my god oh my god I can’t go back that far, it’s useless, it’s worse than lugging around a corpse. It’s over. And one by one she carried the boxes of things down to the pick-up. Take it to the dump this afternoon, she thought. Don’t wait until morning. Her only wish was that she owned a trash compactor big enough to crush it all.

At last the only thing left was a smallish trunk containing charcoal drawings signed by her father. He had been a pharmacy clerk all of his life and as far as she knew had never owned any ambition for anything else. Yet here were pictures bearing his name: bowls of fruit and nature scenes and a nude woman, not her mother. None were any good: certainly she wouldn’t have wanted any of them hanging on her walls. Her father had made the right choice.

There were too many to burn. She took the trunk outside and buried it, with all of its contents, in the back yard. There they would slowly rot, until nothing remained, as it was with all things of the past.
By the time she had finished she was covered in dust and dried sweat, and had cobwebs sticking in her hair. She took off her clothes, bagged them and threw them away, then stepped into the shower to wash everything off.

“Perhaps I should cut my hair,” she thought. It had never been short or tidy. To change that would be a fine first step into the future.

When she stepped out of the shower she saw that the bathroom mirror was empty. Steam from the shower had fogged the glass, but when she wiped it clear with a towel and stood naked in front of it she saw only the empty shower dripping with moisture, and the dull star-patterned shower curtain pulled back against the wall, and the towel in her hand floating ghostlike in empty space. She had completely gone.

This pleased her. She went out into her new life and became nobody.

Saturday, September 11, 2010

Flight of fantasy
















Farouk Ulay, designer and editor of Locus Novus, an online litmag that specializes in marrying prose to moving image, did a spectacular job with my short story, "Melies' Notebook". Check it out and see if you don't agree that the Flash work is brilliant.


-- Freder.

Wednesday, August 18, 2010

Ein Pome

I think that I shall never see | A G.O.P. who'll hug a tree

















i like poetry best when garrison keillor reads it aloud
charles kurault was no slouch either
he could make a burma shave sign sound like bleedin' ozymandias
but mr kurault is dead now
and mr keillor is no spring chicken
so i can see the day coming when poetry will have no place in my life at all

my own brain does not read poetry nearly so well as they
i see only words incorrectly capitalized
and sentences without punctuation
and wonder where in hell the proofreader was when this thing got published

in consequence my own efforts at poetry are strictly pathetic
it would be nice one day to write something good enough
that mr keillor would read it aloud
but i don't hold my breath
Related Posts Plugin for WordPress, Blogger...