Wednesday, August 31, 2011

Uncle Orly




















My Uncle Orland died yesterday. He was my father's older brother.

We weren't close. My father moved us to Maine in the mid-'60s, and the families, which had previously been very social (we summered together at Lake Vermillion, always did the holidays together, and had dinner often at each other's homes) went their separate ways. I saw my Uncle Orly only twice after I reached adulthood. The first time he took the fedora off of my head and rearranged the creases. The second time he called my car "an American piece of crap" (well, he was right) and told me, "This is what 84 looks like."

That bluntness was characteristic of Uncle Orly, but also of my father and of their father, Grandpa Adolph. Uncle Orly often said things that he shouldn't have said, especially to my father. Once, he took my father aside and told him off for being so critical of me. He said, "Don't you see what you just did? He was working really hard, and when you cut him down he completely deflated."

Once, he took me aside and complained about my father's hair. "He has beautiful snow-white hair, and he makes himself look ridiculous by washing it out with that Grecian formula stuff."

Remembering comments like that makes me wish that I had known Uncle Orly better. He was right about a lot of things, but being right doesn't always make it right to say it. There were sometimes Inappropriate Incursions.

Uncle Orly had white hair for as long as I knew him. He had piercing blue eyes and a strong voice. I used him as the physical model (though not a character model) for Mr. Sentack in my short story "Punch & Judy" (available elsewhere on this blog). He liked the outdoors and he liked racing cars, and he liked being the Alpha Dog.

I didn't have those words to describe him when I was a little boy, but I could sense it about him, and it's confirmed when I watch the footage of him in our family home movies. When he entered any room he was in command, but somehow in command from a distance.

There were stories from my father about their scouting days, about pranks played. One of the pranks involved the streetcars of St. Paul, although the details are lost to me. I'll have to ask my father. On another occasion, a Scouting trip (this was back when the Boy Scouts were really Boy Scouts, and much time was spent in the wild), the boys were investigating an abandoned house and Uncle Orly rigged up pranks to play on the others, to make them think the place was haunted. According to my father, Uncle Orly was deeply engrossed in this when he sensed a presence in the room, felt a hand on his shoulder, turned around to find himself alone. But that may have been a prank as well.

Uncle Orly was legendary for the Treasure Hunts he would sometimes set up for us kids, if he was cajoled in the right way. My sister and I had a taste of this when his family visited us in Maine, I think during our second summer. He started in the front yard and went deep into the woods out behind the house, leaving us clues of various kinds at every step of the way. Some were written, some were blazes on the trees. Some were too hard for us to figure out ("What's a hoosegow?" we asked our mother. It was the jailhouse that now rests in my back yard). We spent the entire afternoon on my Uncle Orly's Treasure Hunt, and finally found a cache of lollypops and candy in the mailbox far down the hill at the end of the drive.

I have nothing but supposition to base this on,.but after the loss of his middle son Brian (who has been very much on my mind of late; I'm planning another post about him), Uncle Orly appeared to go into a tailspin. Bad things began to happen. I won't type about them here.

Based on what little I know about their relationship, I would describe Uncle Orly's marriage to Aunt Lucille as one based on mutual disrespect. And yet they married for life, and seemed to have some good times with the bad. If Uncle Orly treated my Aunt badly, he paid for it in later years when his health began to go and he had to rely upon her "mercy." Once he fell on their front step and broke his hip. Aunt Lucille walked right past him, she had a church function to go to and couldn't be bothered, she left him lying there in the front yard. That's probably the most extreme example of how she dealt with him on a daily basis in his last years.

This week, the nursing home called to let her know he was going. She had another church function and that was more important. By the time she got home from that, they had called again telling her not to bother.

From my father's reports of Uncle Orly's final days in the nursing home in conditions that I am certain he found intolerable, I do not feel sad for his loss. But I feel terribly sad for his family and for my father, who loved him warts and all. And I feel terribly sad for me: because it seems like they are beginning to drop like flies, and I know that within a decade's time I'll probably be all on my own. I cried all last night and this morning, and at the same time felt disgusted with myself for all the tears over someone that I never made the effort to know as an adult.

My mother disliked Orly, and she had good reasons, but they were the reasons of grown-ups, and as I've already pointed out more than once I really only knew Uncle Orly from the perspective of a child. Still, her feelings colored mine as I grew up, which accounts for why I regarded him warily on the occasions when we did meet.

She disliked the way he treated my father. My dad worshipped his elder brother, and in return Orly was often condescending at best. She disliked the way that he treated his wife. She disliked the whole Alpha Dog thing.


For my part, I prefer to remember him as the man who created the legendary Treasure Hunts.

-- Freder.

Sunday, August 28, 2011

Mickey's Gala Premiere







*












. . . is one of my favorite Mickey Mouse cartoons ever -- and, really, one of the greatest cartoons of all time. It has no plot whatsoever. A new Mickey Mouse cartoon is having its premiere at Grauman's Chinese Theater, and all of the Hollywood glitterati -- beautifully caricatured by the Disney artists -- turn up for the event. Garbo and the Marx Brothers are there -- hellfire, even Dracula, Frankenstein and Mister Hyde are there, laughing uproariously at all the inappropriate parts.

But that's neither here nor there.

My boss is the sort of person who will never call any job done so long as she can think of one single different way to do it. This is oftentimes infuriating to me, because I am the sort of person who calls a job done if it looks good and feels "right" and complete -- and it doesn't matter if I can think of a HUNDRED other different ways that it could be done. Everything can always be done differently, but will doing it differently make it better? Sometimes you just have to type the period and move on.

What I'm really typing around here is that my restoration / recut of the family home movies had its Gala Premiere at my father's house yesterday, to strongly positive reviews.

I pushed the job through, staying up until past three-thirty in the morning, because I'm basically seven years old on the inside and could NOT wait another day to get the finished product onto a DVD and watch it on my telly.

You know that you're working with some large honking files when it takes four hours to render them, another hour to export them to the DVD authoring software, and another forty-five minutes for the authoring software to compress them for DVD. At a couple of points I just wandered off and racked out on the porch while I waited.

The computer spit out its first disc a little after two AM, and of course I had to sit down and watch the whole thing, all 72 minutes of it (up from about 45 minutes in its original version).

All of which made going to work the next day a little bit heavy.

Over the next couple days I made ten more copies and packaged them up. Yesterday I hand delivered them to Dad, who, although he didn't know it yet, is my designated distributor to his side of the family.

My father's wife was acting extra weird yesterday. While Dad was updating me on my sister's condition following her heart attack (she's having a rough time of it), his wife interrupted twice to deliver lectures about asian cucumbers. What was that about?

I'd brought pizza makings with me to whip up a quick lunch for the three of us, and when I set the raw crust down on some paper towels to start working on it, she reached right in under my hands and flipped it over onto its top. Pause. I flipped it back. Pause. She flipped it over again. I finally said, "No, that's the bottom," and flipped it back. I mean, who's the pizza chef here anyhow?

All I can think of is that she's not used to having someone else working in her kitchen. I'd brought an eggplant with me to use on her portion. I meant to fry it up before putting it on. Instead, she grabbed it, sliced it -- and threw it into the microwave! Anyone who'd microwave an eggplant hasn't been watching Chef Ramsay as much as I have.

Without even giving me the chance to do it properly, she piled the eggplant so deep on her portion of the pizza (I mean, it was an inch and a half of eggplant stacked up) that all I could think of was "vomit." Sure enough, when it got to the table she took one bite, choked on it and beat a hasty retreat. That's what happens when you interfere with the guy who knows what he's doing.

I don't know how she managed it, but she did come back and choked the whole thing down somehow. She strikes me as the sort of woman who likes to prove a point.

I also learned that she is the sort of woman who, if she sees some job of work that she thinks needs to be done to your house, she will come over to your house while you are away and just do it whether you wanted it done or not. That's another thing that happened this week. I wasn't aware of it until they mentioned it to me yesterday. When I got home, sure enough, there was a metal plate screwed onto the side of my house outside the second floor landing.

You see what I have to put up with?

Moving right along. Dad wanted to watch the movies right then and there, so I had to sit through them again for about the millionth time. I guess my opening scenes were just about as effective as I thought they were, because not more than a few seconds in Dad announced, "I think I'm going to start crying."

Before yesterday, his wife had always refused to watch the home movies on the grounds that they were "his past, not hers" -- fuzzy logic if you ask me. But yesterday she sat down and joined us, and actually paid attention and seemed interested. If it was genuine, and I've no reason to assume otherwise, I call that quite an achievement. After all, I do imagine that there are few things in the entertainment world worse than having to sit through someone else's home movies. If I've succeeded in making them watchable and even enjoyable for people whose past it isn't, then I award myself two thumbs up.

-- Freder.

Tuesday, August 23, 2011

The Final (?) Cut of Memory





















I put in some long hours at the computer over the weekend and am happy to report that my "Version 2.0" of the family home movies is more or less completed! I'll wait a bit before I push the button, in case it needs a tweak here and there, in case I change my mind about some aspect of the piece, but this feels suspiciously like it belongs in the "done" box.

I was so excited to have actually seen a creative project through to fruition! Not even the prospect of Moanday Morning could get me down! This is a milestone -- my first completed project since well before my mother's death. I just wish she could see it.

My father was erratic in his moving-picture-taking habits. He shot a fair amount of my sister as a toddler, but he didn't shoot anything of me at that stage -- so my part of the story lad to be built from scratch out of still images. Likewise, I had film of just three out of the five houses that we lived in while I was growing up, so there was a fair amount of scrambling to unearth stills that I could use to tell the complete story. I was dismayed not to have any pictures of Cliff House in Cape Elizabeth. Then, very late in the game, in one of my grandmother's photo albums, I found three.

In the process, I added a wide range of photos that fleshed out the telling considerably. With music and a neat "pan and scan" process built into iMovie (they call it "Ken Burns"), the still pictures really come alive.

I even found one still photo that had been taken by somebody at the exact same moment that my father had been shooting film from a different angle. You can bet I cut that one in!

The home movies come to an abrupt halt after my sister's wedding, and one of the problems I needed to solve was, how to end the story? I settled on a long fade to black out of the wedding, and then created an epilogue out of pictures from later years.

Titled "Within the Realm of a Dying Sun" (from a song by Dead Can Dance), the epilogue pulls no punches. I show the last pictures of my grandfather and grandmother. I show some of the many beloved cats who have been and gone. Using old pictures and new ones that I took after Mom's death, I show the main rooms of the house dissolving from how they appeared when we first moved in to the state they were in after years of hoarding antiques and collectibles. And I close with a scene that I won't describe, but which really takes the story full-circle, and puts an emphatic period on the end. All set to the tune of Leonard Bernstein's "Somewhere," as performed by Tom Waits -- one of Mom's favorite songs.

I knew it was "right" when I burst into tears as I watched the playback.

Following the dedication and a scroll of the music credits (to the Supremes "Reflections"), there's a stretch of empty black screen. I expect most of the family will tune out at that point, if not earlier. But if they stay, my stupid little comedy short that I wrote about a while back will appear as a kind of "easter egg."

I finished that, too. . . and surprise! It's actually kind of cute now. I found the perfect musical accompaniment for it -- Scott Joplin's "Fig Leaf Rag" -- and with its new titles and new look, I can actually watch it without cringing.

Next up -- making the slide show of all the unused photographs. I did it once, last night, and it was easy as can be to get a smashing result -- but exporting the file proved to be another matter. It was looking to take hours . . . and then I realized the program was exporting all the photos in the system, not just the ones I wanted. I aborted the export. When I tried to open the slideshow again, it was gone! Back to the old drawing board!

And the "help" menu!

-- Freder.

Monday, August 22, 2011

National Endowment for the (Low Comic) Arts



















I have NO idea why this popped into my head this morning, but I can tell you why I remembered it in the first place, and it's one of those things that, if you haven't heard it already, you'll wish you didn't know. So, be warned before you read on!

I learned it from a book about the early years of Saturday Night Live. (Gad, it's a bit on the depressing side when they start publishing histories of things you were there for!) One of the writers (and no, I can't remember his name) got his start writing "roast" jokes for Milton Berle, so when Uncle Milty came to host Saturday Night Live, they had a chance to sit down and talk about Olde Times.

And the writer said something along the lines of, "Funny, my having to write all those jokes about your penis..."

Uncle Miltie replied, "You mean you haven't seen it? Do you want to see it?"

That's why I can't purge this story from my memory. Milton Berle was everywhere when I was growing up, even on Batman fer crine out loud, and his range of expression is embedded in my mind, and I can just hear his voice and see the expression on his face when he said those words.

The writer then went on to describe Berle taking it out and laying it across the table, and that's where I'll stop.

A couple of years later I was working as a typesetter for Thorndike Press (the best job I ever had and probably ever will have, until the Evil Corporate Bastards at Thomson/Gale laid off the whole production department). Late in the game I had to set a book by Jack Lemmon's son. It was a memoir about their golfing experiences together, pretty dry stuff. The best story in the book was about Harpo Marx and his ongoing battle with a tree on a particular golf course. Harpo seemed to hit it every time. He finally put the tree out of his misery by sneaking onto the course one night and chopping it down!

 But the book also contained a postscript to the Berle story. One day, in a private room at the Hollywood club where all the stars played golf, with Jack Lemmon and his son present, Milton Berle and Forrest Tucker got into an argument. Call it a cockfight. They had it out, so to speak, right then and there, and Berle, in the words of Jack Lemmon's son, "won by a head."

Now I know why Corporal Agarn was afraid of Sergeant O'Rourke.

Anyway. Moving right along. . .

-- Freder.


Saturday, August 20, 2011

Baby Steps





































I knew that this blog was coming up on a milestone, but as it turns out, we've just passed it. On August 13, the blog turned one year old.

In that amount of time, I've made just over 300 posts. Some of them were about as inconsequential as it gets; others were plain frivolous. Still and all, I think the blog has been just about the best thing I did for myself all year. Sometimes I think it's the only way I could have gotten through that year! It's been the only voice I had through some, shall we say, interesting times.

With any luck, the worst of it is behind me. Whatever's ahead, good or bad, you can bet I'll continue to vent about it here.

Many thanks to the kind indulgence of those who have spent some of their valuable time here. In the year since I started doing this, the blog received over 10,000 pageviews (one post, "The Peter Pan Syndrome," has had well over 800 hits all by itself). In the world of the blogosphere, where success is measured in the millions of hits per day, that's inconsequential. But given the nature of most of what I yammer on about, and given that I started the thing strictly as a means of coping, of self-therapy, that's not just Pretty Damn Good, it's amazing! I still can't imagine why anyone would want to read this crap, but I'm glad that there are people who do, and I appreciate the feedback more than you can possibly know.

It's nice to know that you're out there.

-- Freder.

Friday, August 19, 2011

Reflecting on Change





















Things I miss about the Old House:


  • The sound of the screen door slamming behind me in summer.
  • The QUIET! The one good thing about living in the middle of nowhere is that you don't have to waste energy blocking out noise from the outside world. In summer there was birdsong and the sound of wind through the trees. In winter there was complete stillness. On a busy day, perhaps eight or ten vehicles passed by our house. It was possible to achieve Perfect Inner Silence. At the new house, it's quiet enough at night, as the town rolls up the sidewalks at about 8:00 PM. But during the day it's a nightmare of cacophony, sirens and constant traffic whooshing by, trucks always backing up somewhere with their backing-up beepers on. I'm learning to ignore it, but it's actual work.
  • The view of the back field, down to the pond and farther beyond, all the way to the Appalacian mountains, that I had from my bedroom window. In the New House, the view from nearly every side is of neighbors. 
  • The sense of history. This was our home for thirty-five years. We left a lot of ourselves behind. The walls are saturated with memories.
Things I don't miss about the Old House:

  • Well, it was falling apart, and I didn't have the resources to do anything about it. This became even more evident after the auctioneers raped the place: behind one large antique cupboard, the entire living room wall was coming apart from water damage. It will probably cost the new owners an additional $100,000 just to refurbish and make it solid again. I would have had to put the same amount into it -- and I only had the right to stay there for five years. 
  • The commute, especially in winter.
  • The Generator! That machine was a good thing to have around in a power outage, but keeping it in working condition was sometimes the bane of my existence. It was already twenty years old when we moved into the house, and we had to have it refurbished several times -- never a cheap proposition. But during the ice storm it kept us in heat, refrigeration, and a single light for fourteen days. . . 
  • During the winter months, the quiet often turned into a depressing sense of isolation, as though we were living on the moon.
  • The farmer who harvested hay off of our land also frequently spread manure there. This was a hideous stench that lasted for several days every summer.
  • The horrible sense of vacancy that settled over the place after Mom's death. 
Things I don't like about the new house:

  • The upstairs bathroom. It's tiny and cramped and  the only window is small and too high to peer out of. The toilet works by itself only occasionally; the rest of the time I have to lift the lid of the tank and prompt it to refill with water. Sometimes it doesn't stop -- so I have to hang around waiting to make sure that it doesn't continue to run all day.
  • The basement is even scarier than the one at the old house. I don't like going down there.
  • The issues mentioned above.
  • The very steep bit of lawn at the side of the house that, on a hot day, is a heart attack waiting to happen.
  • The ugly plants growing outside my back study window. Too low to the ground, the flowers last just a few days. I need to replant them in the back garden, and put some proper white hydrangea bushes in their place. Ditto with some of the daylillies.
  • The sense of No History, of life waiting to happen, that I can't shake despite all the baggage and history that I brought with me. The sense that the house views us as Something New.
Things I quite like about the new house:

  • The open layout and the big wide-silled windows that offer lots of places for quats to sit and look out of (they had only two or three useable windows in the old house), and which keep the house well-lit and well-aired.
  • No storm windows or doors to change out twice a year! Winterizing is as simple as pulling down the outer glass.
  • The faintly gothic outward appearance of the place. Very different from the old house. Much suited to my personality.
  • The way the downstairs rooms, while being much smaller, evoke the rooms of the old house. Even the paint colors are similar, so that the stuff from the old house really looks like it belongs.
  • It's much easier to clean.
  • Although I'm surrounded by what remains of Mom's work and life, there isn't the oppressive sense of loss that I felt every day in the Old House.
  • The front porch, for sure! Not just a great place for the quats to hang out, but a space that, when it's open,  makes the whole house feel like a Summer Retreat. When I was little, our family often summered in different places from where we lived in winter. As I re-edit the family movies and re-visit those times, it's lovely to have the porch, looking out as it does on the stand of pines that line the opposite side of my driveway, kind of evoking those same memories and feelings, I actually slept out there on the couch one night last week. It was delightful at first. Then two quats came along and slept right on top of me, and by morning I was looking forward to sleeping in my own bed again. Well, that's one of the purposes of a Summer Retreat, isn't it?
-- Freder.

Wednesday, August 17, 2011

Down the Road a Piece



































Up at an ungodly hour to get out to Albion by 8:00 AM for my three-week follow up with the doctor. It went so smoothly and quickly that I got back into town with time to kill. I was able to do my grocery shopping, take it all home and unpack it, and still get to work fifteen minutes early.

Last time I went out there, by blood pressure was 171 over 110, and nobody even wanted to discuss my liver. I was drinking nearly half a bottle of vodka every night, and for all of the Wrong Reasons -- only slightly less than what put me in the hospital last year around this time.

It all started with that disastrous experiment a couple of months back of cutting the Prozac dosage in half. By day three, as you may recall, I was crying all the time. The little detail that I left out was that I immediately returned to self-medicating in a big way, draining the bottle to numb the sadness and stop the tears. You start drinking for those reasons, that's when you're really in trouble. You think you need more all the time, but what you're doing is feeding the Melancholy Beast -- which immediately starts to demand more. And I didn't stop when I felt the drug begin to kick back in -- the Prozac never seemed to work as well after that. I never made the connection.

It wasn't easy at first, but I managed to dial back significantly on the vodka. . . and the difference it made on my emotions was, as I told the doctor, both immediate and dramatic. That, in turn, made a deeper reduction possible. I can drink in moderation when my emotions are under control. When they're not -- forget about it, all bets are off.

My blood pressure today was 144 over, I think, 98 -- still high but within the acceptable range, or so I am told. At least, he didn't make me go on medication for it, which is a triumph all by itself. As well, I know -- for reasons that we won't get into -- that my liver is doing better.

Of course I got the speech that I should stop altogether, and I know that my doctor is right about this. I'm not in denial. I know and am the first one to admit that I'm an alcoholic. It's not for nothing that I've labeled dozens of posts here with the word "alcoholism." When it gets out of hand as it did recently, it ceases to be a pleasure and becomes a problem that needs to be brought under control. But I've no interest at all in stopping completely. I won't make any excuses about that. It may well be, as the doctor suggests, that this is the addiction talking, but if so, it's not talking alone. With my whole heart and conviction, I say to you: I have few enough pleasures as it is. Not giving this one up, at least not now. 

Lesson learned: that I'm on Prozac for life. Because if I ever try to get off of it again, it could shorten my life by a considerable bit. . . for more reasons than just one.

-- Freder.


Tuesday, August 16, 2011

Grrrrrrrr!





















Y'ever have one of those days when you're feeling just plain cranky and mean for no reason at all and you want to punch someone in the mouth just because they're standing there taking up space in your life? That's where I am today.

In E.C. Segar's great Thimble Theater comic strip, whenever Bluto or Popeye or anyone else is in this kind of a mood and spoiling for a fight, they walk around with a scowl on their face, and "GRRR!' GRRR!" sounds fly out of them. I can't afford to scowl or grrr at the customers, but I sure want to.

Rule number one in Customer service: Never Punch Out a Customer.

Patches (my cranky quat in the picture above) has long known herself to be the Queen of the Universe, and whenever I pick her up and hug her and smooch on her and she's not in the mood to be hugged and smooched on, she will grrrrr quite loudly. If that doesn't work, hatpins sprout from her paws, and if that doesn't work her whole body explodes in my face and she vanishes in a puff of smoke.

I wish I could do that stuff.

It's probably why Wolverine is the most popular of the "all new all different" X-Men. Rub him the wrong way and ka-SHINNNG! out come the claws, and who's going to argue with you when you can stick three foot-long razors under their chin at a moment's notice?

I often think that, as super-powers go, the Radio Shadow's mysterious power to cloud men's minds so they cannot see him is a little bit under-rated. Think of how useful that could be when performance review time comes around, or when people come up to you with looks on their faces that say, "I'm going to ask you a completely idiotic question that you've answered a hundred times already this week."

A lot of you already know that the Radio Shadow was different from the Pulp Magazine Shadow, although they were ostensibly the same character. About the only things they had in common were a fondness for night work and a tendency to laugh their heads off at things that aren't funny. The Pulp Magazine Shadow didn't have any super power at all. What he did have were two ginormous .45 automatics that he never hesitated to use. Piss off The Shadow and you could end up pushing up the daisies.

I guess there are a lot of characters in fiction and the movies who we love because they don't take crap from anyone. Humphrey Bogart played most of them. Edward G. Robinson played the rest. I don't count Actual Monsters like Dracula or the Wolf Man, although you want to stay on their good side, too.

People seem to know when I am feeling cranky and then go out of their way to push my buttons. This is not surprising, as most neurotypicals are trained to sense the invisible Target signs that often superimpose themselves over the backs and faces of people like me. I no more than got off the phone with a person who spoke like they had a mouthful of marbles, when a woman came up to me and asked a question -- in a whisper. This isn't a church, lady -- it's a bookstore. Speak up or feel my wrath!!

No, what really gets me is that most inanimate objects seem to know, too. The books and boxes and bits of furniture all seem to be in communication with each other. They begin throwing themselves into my path or refusing to stay where they are put. This causes me to get flustered and frustrated in addition to being cranky, which in turn causes me to become even clumsier. The next thing I know, the whole closet shelf is coming down on my head. If you ever walk by and hear me swearing like a sailor at some inanimate object, now you know why.

I guess it's not a good thing, overall, to be this cranky -- but it's better than some other emotions I could be feeling.

-- Freder.

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